Jiang says Dante's poetry is designed to be read and spoken aloud, so you cannot really understand it unless you hear it voiced.
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Sound
A transcript-matched topic anchored by excerpts such as "All right. Okay. Okay. Well, thanks so much for coming. And so, what we're going to do is maybe you'll read a tercet, and..."
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Key Notes
Jiang asks for the tercet to be reread slowly because cadence and fluctuation of sound are integral to understanding the poem.
A student argues that the Italian sounds gentler and softer than the English, so it does not merely describe love but makes the listener feel it.
The student highlights Dante's ABA-BCB end-rhyme pattern and sing-song movement as part of what English readers miss.
Aurelia agrees that the Italian carries stronger sibilance and sonic texture than the English rendering.
Jiang guesses Dante is trying to mirror the vibration of the universe, using lighter sounds for heaven and heavier or harder sounds for the lower realms.
Aurelia agrees that the passage's language of desire and gladness makes it feel as if it is moving toward a climax.
Aurelia says the Italian's overlapping sounds and the terza rima structure help the passage build toward a climax.
Timestamped Evidence
"All right. Okay. Okay. Well, thanks so much for coming. And so, what we're going to do is maybe you'll read a tercet, and..."
"...so we can catch the cadence, the sort of fluctuations in sound?"
"Let me be honest. It sounds much more gentle, and it sounds much softer than the English. I'm going off vibe here, but what..."
"Yeah, I would actually like maybe whenever to hear more, because we don't get the opportunity to take advantage of the end rhyme scheme,..."
"I mean, I agree. I feel like there's something, like, very, like, the se. Could you talk? The se, like, there's a kind of,..."
"...okay? So, obviously, in heaven, the vibrations are higher, okay? Lighter sounds. And then... In heaven, it's deeper, right? Slower vibrations, so harder sounds..."
"moving towards a sexual climax i'm not sure if sexual but maybe i mean it's she's he's talking about desire right there's gladness like..."
"...have I feel like meanings that come through they have similar sounds in English in Italian that don't come through in English so there's..."
"there is something that's like moving towards something in just the"
"...it's it's it's the voice that makes this divine right the sound that makes this truly divine and that's why we call this divine..."
"So, it's a different, it's different than modern Italian. Like, it sounds more, it's, it's, it almost sounds like the dialect that you would..."
"...uh, looking at the text, uh, in every terza, the last sound of the first sentence and the last sound of the last sentence..."
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