Jiang defines arete as virtue, excellence, character, or the special quality one excels at.
Topic brief
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Character
Iliad characters are treated as living, breathing persons whose speeches reveal memories, origins, desires, and futures rather than as merely fictional figures.
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Key Notes
Iliad characters are treated as living, breathing persons whose speeches reveal memories, origins, desires, and futures rather than as merely fictional figures.
Catharsis creates a reciprocal identification in which the tragic character lives in the spectator and the spectator lives in the character.
Jiang says Agamemnon becomes a real character because his actions are presented as rationally coherent: he sees Achilles as stealing the woman he loves more than his own wife.
Jiang treats Achilles as alive in the scene because he listens, responds to Agamemnon, and frames himself as a warrior who came to Troy under Agamemnon's command rather than from hatred of the Trojans.
Jiang presents Homer's achievement as the ability of one mind to generate multiple coherent minds, including speaker, audience, emotional effects, memory effects, and long-term behavioral consequences.
Jiang says the Iliad makes even observers such as Nestor alive, so main and supporting figures alike have real emotions, feelings, and experiences.
Homer's characters require explanation because Achilles, Odysseus, and Agamemnon feel so real that readers can hear them speak internally and socially.
Timestamped Evidence
"...erite. The second is eudaimonia. So, erite means virtue, excellence, or character. It's something that makes you special, what you excel at. And traditionally,..."
"...as I keep on discussing when we read the Iliad each character is a real person okay each character has a living present and..."
"...commit catharsis what happens is that you now connect with the character itself so the character now lives in you and you live in..."
"...about it. Right? And this is what makes Agamemnon a real character to us. All right? But the other thing is that Achilles behaves..."
"I take a little bit. And now you're stealing that little bit from me as well. Okay? So why is Achilles saying this? Achilles..."
"But we all know that you are vain. Okay? You're a narcissist. You're an asshole. You came here to win glory for yourself. You're..."
"...Agamemnon and Achilles. Okay? So not only are the two main characters have a life of their own, but the observers have a life..."
"...able to do this? Right? How was he able to construct characters like Achilles, Odysseus, Agamemnon? That are so real that they feel alive..."
"...focused on holistic holistic okay the new one is holistic specifically character just being smart is not good enough you have to be a..."
"good we need people who are manly who are strong who are brave we need white people okay so they develop this holistic system..."
"...imagination. But what he does that's different is he reimagines the characters, he uses new diction into the plays to make it beautiful. So..."
"They hate alcohol, they hate fun, they hate theatre, especially theatre. They hate Shakespeare. So they banned it. So during this time, Shakespeare is..."
Relevant Lectures And Readings
A source-grounded reading of Homer as civilizational engine: the Iliad trains Greeks to fight with speeches, poetry projects movies onto the world, language controls time and space, and the poet becomes the flame through...
A source-grounded reading of the Iliad as self-recognition: Achilles becomes a mirror for humiliation and pride, Homeric speech tries to control reality, and the ancient poet becomes prophet and teacher because truth is beautiful,...
The lecture turns meritocracy from a school virtue into a trauma machine: Harvard invents selection as power preservation, Yale trains insecurity as ambition, and the winners become actors who can promise goodness while serving...
English becomes empire because Shakespeare turns language into infrastructure.
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