The forest ritual wakes the forest when illness, bad hunting, death, or danger suggest the forest has fallen asleep and stopped looking after its children.
Topic brief
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Song
The forest ritual wakes the forest when illness, bad hunting, death, or danger suggest the forest has fallen asleep and stopped looking after its children.
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Key Notes
Jiang argues that humans created language for creative, musical, storytelling, and communal reasons, not primarily for economic coordination or hierarchy.
Jiang says prehistoric people had symbolic capacity and could have written, but chose not to because writing was viewed as a corruption of divine song and communal experience.
The Song invested power in imperial bureaucracy to avoid the Tang problem of overmighty generals.
China's loss of creativity after the Song follows from national unification: the center could control provinces in a way earlier dynasties could not.
Starting around the Song, emperors solve the elite-threat problem by localizing elites and using divide-and-conquer against them.
The Keju is the main mechanism that let emperors transform a national aristocracy into localized elites.
The Huang Chao Rebellion eliminated Tang aristocratic families, opening space for the Song to prevent nobility from arising again.
Timestamped Evidence
"So if you disrespect them, they will not only kill you, but they would forget about you forever. So this is how they explain..."
"So what do we do? We wake it up. We wake it up by singing to it, and we do this because we want..."
"So, why do we speak? Because we want to sing. Okay, does that make sense? Singing, creating music, was a way to express ourselves..."
"We're not doing this out of our own will, we are only a portal or a mechanism or a channel for the divine to..."
"...the written form. So it's almost like a corruption of the song, okay? And also for them, this is really important. Okay. All, everything..."
"It was a corruption of the natural world, okay? All right? Does that make sense? Okay. So this is a, these are all the..."
"the Song Dynasty will adopt a policy of diplomacy to build assimilation with the northern tribes, okay? They're trying to avoid the trap of..."
"...question, again, we're looking at is, why is it that the Song Dynasty is the last creative dynasty, all right? And if we use..."
"...give rise to innovation. But starting at the time of the Song, we see a radical change. Look at the Song, okay? Okay? The..."
"...the trend is fairly clear. Starting at the time of the Song, you see a steep decline in the state's ability to collect taxes,..."
"...support in the military and in government, okay? Starting around the Song… Okay? The centralized elite is now broken down into localized elite. So..."
"...Dynasty started to use it. Okay? But it was really the Song Dynasty. That really systemized and promoted it. Okay? Basically, the Song Dynasty..."
Relevant Lectures And Readings
A source-grounded reading of Jiang's lecture on temples, pyramids, farming, ritual ecology, and the modern inability to build wonders: people once organized around heaven on earth; now the religion is capitalism.
A source-grounded reading of Jiang's dawn-of-humanity lecture: Darwinism becomes a rival theology, cave art becomes a portal, speech begins as song, and modern society is accused of socializing people out of empathy.
China had the technologies that made modernity possible, then built a political culture that made those technologies inert.
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