Core Reading
This is the first lecture in a fast series on all of human history, and it begins by refusing the story that modern school places underneath everything else. Evolution says life is accidental, material, and bottom-up. Jiang says that story did not simply describe nature; it helped a conquering civilization explain itself. If the strong survive, then might starts to look right Source trail 3:254:28 And evolution would give rise to racism and eugenics, okay? So before Darwinism, we didn't really have a concept of race because everyone was equal in the eyes of God. And now with the rise of Darwinism, the world is di...So might makes right. So in many ways, evolution is a rejection of Christianity. So you would think that Christians would oppose Darwinism and evolutionary theory. But what was surprising is that when the book came out... . Against that theology, the lecture builds another anthropology. Humans are not just monkeys. Source trail 4:285:35 So might makes right. So in many ways, evolution is a rejection of Christianity. So you would think that Christians would oppose Darwinism and evolutionary theory. But what was surprising is that when the book came out...We're just a monkey. And what do monkeys do? Monkeys like to have sex. Monkeys like to eat. Monkeys like to fart. That's all we are. We're just monkeys, all right? And this is the evolutionary tree. And this is the evol... The strange things about us are the point: we sail into the Pacific without knowing what waits there, spend time in dangerous caves painting animals, bury disabled people with care, sing before we speak, and create worlds together without a boss. The human being is imagination made tangible Source trail 37:31 Another important fact about human beings that is not really understood is we are obsessed with being creative and expressing ourselves. That's who we are. Okay? We are the imagination personified, manifested, made tang... . Society's tragedy is that it teaches us to forget this Source trail 1:00:41 Severely, breaking that emotional connection. And once the emotional connection is broken, remember, empathy, we crave empathy. We crave emotions more than we crave food. So, it's as though we're becoming zombies almost... .
00:00-09:09
Darwinism Becomes a Theology
Jiang starts by defining evolution as accident, materialism, and emergence, then says its historical force came from giving imperialism a moral story.
The first move is not to deny that Darwin mattered. It is to ask what kind of world Darwin made available. Evolution, as presented here, teaches three ideas: mutation is accidental, matter is all there is, and higher forms emerge from lower ones. Christianity had placed human equality under God and mystery. Darwinism, arriving amid European imperial conquest, supplied a different moral map. The world could be divided by race. Eugenics could sound scientific. The strong surviving could start to look like the way things ought to be. Source trail 3:25 And evolution would give rise to racism and eugenics, okay? So before Darwinism, we didn't really have a concept of race because everyone was equal in the eyes of God. And now with the rise of Darwinism, the world is di...
That is why the lecture calls evolution a theology. It does not merely say organisms change; it smuggles in a theory of human progress. Then Jiang pushes on the ape story. If humans are just primates, why do they migrate everywhere? Why risk the Pacific for islands they cannot know are there? Why spend resources on ritual sites and cave paintings deep inside cold, low-oxygen caves? The waste is the evidence. Source trail 6:507:54 Aniflame, okay? Bisons and food. But then how do you explain these people, okay? These are people who went to populate the Pacific Islands, Micronesia. That's kind of weird. First of all, it's really dangerous to go out...they hunting why are they using so much resources and time in building these uh ritual sites okay homo sapiens did cave paintings and these cave paintings i will show you later on they're very extremely elaborate as you... Something in the human being exceeds utility.
09:09-17:13
They Just Knew
Ice Age survival becomes a model of intuition: people coordinate, build, hunt, gather, and reorganize without bosses or explicit plans.
The mammoth house gives Jiang his answer to prehistoric intelligence: they just knew it Source trail 9:0810:04 very creative we were very we resourceful all right so we know a lot about the ice age because as you can imagine during the ice age things freeze over so they can be easily preserved and actually for most of human hist...will uh keep on emphasizing for the rest of for the rest of semester is they just knew it okay so let's do a thought experiment let's just say that we there's 10 of us and i give you this wall right and i say to you you... . A group can be put in front of a blank wall, forbidden to speak or plan, and still a coherent picture can emerge. One person draws a sun, another a tree, another a mountain. It is almost like telepathy Source trail 10:0410:57 will uh keep on emphasizing for the rest of for the rest of semester is they just knew it okay so let's do a thought experiment let's just say that we there's 10 of us and i give you this wall right and i say to you you...like telepathy and that's how we are if you put humans in a group they would know instantly how to work together and they would know how to share ideas together and so that's the idea i want to present to you all this s... . The claim is not literal magic. It is that humans in a group can share attention and intention before formal instruction appears.
This intuitive organization is not chaos. It is more flexible than hierarchy. Sometimes people form small groups for food. Sometimes hundreds or thousands gather for religious festivals. If the arrangement does not fit, people can leave and begin another. Early human life becomes diverse, dynamic, and creative. Civilization is not introduced as the rescue from disorder Source trail 10:5712:54 like telepathy and that's how we are if you put humans in a group they would know instantly how to work together and they would know how to share ideas together and so that's the idea i want to present to you all this s...them if you didn't like the situation guess what you'd go somewhere else and start your own organization okay so so early human history it's a very diverse very dynamic very creative period in our lives even though we'v... ; it is the thing that makes us forget how much order imagination can already make.
13:54-22:35
Caves Are Portals, Speech Is Song
Cave painting becomes a complete mythology of portals, animals, sacrifice, trance, divine inspiration, and language as song.
The cave paintings are not treated as childish marks. They are adult, deliberate, exact, and devotional. They tell the story of nature: animals, predators, life, death, destruction, renewal. If you kill the animal, you thank it. The painting repairs the relation between hunter and hunted. Source trail 14:5819:33 them for the sacrifice by commemorating them the same thing as later on uh when humans fight in battles we build monuments to celebrate those who are fallen right because you want to create balance and harmony in the wo...If you didn't have them, then you would die off. So you dressed up like them in order to better communicate with them in the spirit world to draw them back, okay? Okay, so this is another religious depiction. All right,... That is why the cave matters. It is a portal, a place where material world and spirit world touch, where animals can be summoned back and the cycle can continue.
The cave also explains the artist. Low oxygen puts the painter on the edge of life and death, almost in a trance. The work comes as divine inspiration. The human is not expressing a private opinion but becoming a portal for the divine to communicate Source trail 20:3221:36 The stars, the caves are portals into the spirit world, and that's why you celebrate them, okay? And how are they painting the caves? They're painted together, and they're using red ochre and charcoal. What's most impor...We're not doing this out of our own will, we are only a portal or a mechanism or a channel for the divine to communicate with everyone else. So does this make sense? Okay. All right. The other thing that's really intere... . The same is true for singing and storytelling. Why do we speak? Because we want to sing. Source trail 17:18 So, why do we speak? Because we want to sing. Okay, does that make sense? Singing, creating music, was a way to express ourselves in the same way as painting was. And music, once you add words, it becomes storytelling.... Language is not born as bureaucracy or hierarchy. It begins as music becoming story.
Then comes the strangest reversal: the symbols in the caves mean humans had the capacity for writing, but chose not to write. Writing, in this world, is a corruption. Source trail 21:3622:38 We're not doing this out of our own will, we are only a portal or a mechanism or a channel for the divine to communicate with everyone else. So does this make sense? Okay. All right. The other thing that's really intere...When you speak, you're challenging the divine. So when you are writing something down, you're actually counterfeiting the divine, okay? Also remember that for them, talking is like singing, right? And you cannot capture... Speech challenges the divine; inscription counterfeits it. Song cannot really be captured by marks. Painting, singing, and speaking are communal; writing is solitary. The absence of writing is not proof of primitiveness. It may be fidelity to a world where the sacred must remain alive in performance.
22:35-29:44
The Divine Is Not Elsewhere
A student question clarifies the theology: the point is not reaching a distant spirit realm, but harmonizing with a world already saturated by the divine.
A student tries to summarize the argument as humans connecting with divine spirits. Jiang stops the formulation. We are not trying to connect with the divine spirit because the divine spirit is already all around us Source trail 26:0826:26 So let me clarify, okay? This is really important. We're not trying to connect with the divine spirit. Why? Because the divine spirit is all around us. We co -exist with the divine, okay? Everything around us is divine,...Okay? Do you understand? Yeah. Okay? Because in this world, there's no separation between the material and the spiritual. It's all one world together. The spiritual is all around us. But there are certain things that we... . The material and spiritual are not two worlds separated by a wall. They are one world. Ritual does not bridge an absent God; it harmonizes human action with a divine field already present.
That same structure survives in modern street art and Indigenous art. A mural does what a cave painting does: it gives a community a shared memory of where it came from, what matters, and where it is going. Inuit art keeps a unified perception of the world alive. Modern language cannot easily translate that perception, so the modern viewer misreads it as stupidity. The failure is ours: we are measuring intuition with essay-writing tools Source trail 27:4929:07 And that's what you do with this painting. Okay? You can see how beautiful these buildings have become because of the paintings. So that's what art does. Art gives purpose, meaning to our world. All right? So some reall...Right? They perceive the world as unified. The gods are with us. In fact, everything we do is a salvation of the gods. So our house is our temple. Okay? The temple is not a place you go and celebrate the gods. Okay? You... .
29:44-40:40
Empathy Looks Like Telepathy
The horse, the mother and autistic son, cooperative painting, and horseback riding become examples of emotional perception operating before explicit thought.
The calculating horse does not know math. It knows the room. Source trail 30:0331:02 So let's give examples of empathy in action. And this is true for the entire world. Okay? So once there was a horse in America that could do math. All right? So the horse would go on stage and then the trainer would ask...Okay? And as the horse comes to the answer, the horse sees that the people are like really excited. Okay? Their eyes are bulging. Their breathing is faster because people are in anticipation. Right? The horse says, oh,... It watches eyes, breathing, and anticipation, and stops when the audience's emotional field tells it the answer has arrived. This is Jiang's safer definition of telepathy: not reading thoughts as propositions, but reading emotional direction before words appear. Animals can do it; humans can too.
The autism story sharpens the point. Jiang rejects literal mind-reading, but the exposed trick is still extraordinary. A poor mother and her autistic son create a pitch language so subtle that only artificial intelligence can decode it. Television calls it fraud. Jiang reads the fraud as love: the mother discovers her son's gift, builds a hidden emotional language Source trail 33:4234:46 And that's why we devised a scheme in order to trick you so we can get some television coverage. And then maybe we can get some donations. Maybe some people will help us. Okay? And that's why we did the scheme. And so t...Okay? So they created a hidden emotional language together. Which, again, is amazing. And it's something that you will see when two people actually love each other. They will create their own language that only they can... around it, and uses imagination to try to save him.
Cooperative creativity works the same way. A group drawing succeeds because no one wants to let the others down. A horse and rider become almost one body because emotional connection precedes command. The secret to creativity is not private genius. It is finding purpose and meaning in other people Source trail 35:34 Okay? Because of cooperation, because of empathy, you want to be at your very best. You want to be at your creative best. That's the secret to creativity. Okay? When you're able to find a purpose and meaning in other pe... until everyone's best capacities are released.
40:40-45:14
Imagination Always Finds a Channel
Beethoven, Milton, deaf communication, Alzheimer's, and psychedelic art become evidence that blocked perception can reveal other channels of imagination.
Human beings are imagination personified. If one sense closes, another channel opens. Deaf people communicate with emotional intelligence. Beethoven does not hear music; he sees vibration. Source trail 38:4239:51 when they're together, they're able to communicate emotionally and that brings tremendous joy and comfort to them. Okay? Does that make sense? All right, let's give another example. This is a great composer, one of the...He was able to create music that was unique in human history. Others hear the music, but he saw the music and it turned into a movie. Okay? Of movement. All right. This is John Milton. He wrote Paradise Lost. Problem is... Milton does not see the page; he hears Paradise Lost as song. The point is not sentimental overcoming. It is that imagination is resilient Source trail 39:51 He was able to create music that was unique in human history. Others hear the music, but he saw the music and it turned into a movie. Okay? Of movement. All right. This is John Milton. He wrote Paradise Lost. Problem is... and will find a form when the will to express remains alive.
Then Jiang makes the dangerous move explicit: we are socialized into mundanity Source trail 40:53 Okay? So, this is another lesson that you will learn this semester. We are socialized into mundanity. Our true selves are divine. Okay? You're normal. You're boring. You're not talented because you believe what others t... . Society does not want interesting people; it wants robots and slaves. Alzheimer's, in his interpretation, strips away artifice until spiritual desire, singing, drawing, and voices return. Psychedelic art does something similar: it sheds ordinary time and space and shows a heightened world, the cat as divine cat, the energy field as visible reality. The claims are not medical advice. They are Jiang's attempt to say the modern self is not the whole self Source trail 41:5944:15 As you can see, by this time, he's completely lost his sense of being. Okay? So, you can use this picture as a metaphor for Alzheimer's. And you can see for yourself what it means to lose your mind. But there's another...But the reason why is, the voices were always there. We just forgot about it because we're socialized to forget about the different forces, the different voices that exist along us. Okay? This is a person who used psych... .
45:14-53:20
The Five Myths of Who We Are
Jiang summarizes the lecture by rejecting material desire, patriarchal property, survival of the fittest, civilizational superiority, and the ape model.
The summary is a sequence of negations. We are not driven first by material desire, genes, sex, money, status, and power. We are religious and spiritual beings who want to create, love, connect, differentiate, and explore Source trail 46:3047:22 They're not true. The first myth is we humans are driven by material desires. Okay? So, why do we want... So, what do we want? We want a lot of money. Okay? We want to pass on our genes. We want to marry a lot of beauti...be different we want we want to be creative the third thing is we are curious and want to explore and that's what explains why we go everywhere okay this has been true throughout human history we may not have documents... . We are not naturally arranged around male property and women as breeding animals. Jiang says older social arrangements gave women more bodily autonomy and used shared childrearing to bind the group.
The survival myth also breaks. For most of human history, Jiang says, humans cared for one another and treated every creature as having divinity. Civilization is not a simple upgrade. It may have reduced imagination, memory, sensitivity, empathy, and maturity. The human brain can be a supercomputer if allowed to be. The final reversal is the bluntest: we did not evolve to be apes. We are uniquely imaginative, and we can choose our own evolution Source trail 50:1551:00 development of civilization the human imagination has decreased and they have much more maturity and we can only at the age of 25 or 30 chance to get what we want okay so our brains can be supercomputers if we allow the...But we're not apes. We're imaginative first and foremost. And as such, we have control over our lives. And that's something that you have to like learn for yourself. Alright, so let me give you an example of this to con... .
Romito 2, the Ice Age dwarf burial, gives the argument a body. Modern survival logic says a disabled person is a burden. The burial says the opposite: old age, jewelry, elaborate ritual, and care until death. Jiang reads this as proof that people we would call useless were sometimes treated as divine. The weak do not disprove the sacred order; they reveal it. Source trail 52:0053:00 And you only do that for people you really prize. That's kind of strange, right? The people who we think that are most worthless, dwarves that actually don't do anything, they actually thought was divine and deserved a...So, why would they do that? Well, there are three possibilities, okay? The first possibility is, it's really about maintaining cosmic balance and harmony. Everything is a cycle. Meaning what? Meaning we're all part of G...
53:00-61:35
Born Into Empathy, Socialized Out of It
The final student questions turn the lecture toward disability, mental illness, social media, and empathy as a natural connection that institutions can break.
Asked whether cognitive disability can bring people closer to the divine, Jiang first widens the premise: everyone is connected to the divine, but mass society teaches people to forget it Lens point mass-society-constraint Mass society teaches spiritual forgetting when school and social systems train people into obedience, work, abstraction, and machine-like function, separating them from nature, creativity, courage, and the divine field Jiang says they once knew. Source trail 55:50 Yeah. Good question. Okay. Yeah. So, first of all, we're all connected to the divine, but we just choose to forget we're connected to the divine. Okay? Why? Because society, mass society, needs you to be obedient, needs... . School removes children from parents, drills obedience, and calls abstract knowledge the thing that matters. Some people cannot be fully recruited into that machine because society rejects them. In that rejection, Jiang says, they may return to the divine.
The next clarification turns to modern misery. Phones, social media, and the internet create a fake system where imagination is in prison Source trail 58:38 But, the social media system has created this fake system in which we're in prison. Our imagination is in prison and pursuing activities that absolutely have no purpose, right? So, on social media, all you care about is... , chasing likes and other people's imagined approval. Children lose connection to purpose, meaning, emotion, and the divine, then become confused, anxious, and depressed. Again, this is Jiang's cultural diagnosis, not clinical instruction. Its role in the lecture is to accuse modern systems of breaking the relation that older life cultivated.
The last student asks where empathy comes from if society is usually said to shape it. Jiang's answer gives the closing formula. Empathy is a born emotional connection, like mother and child sensing one another before words. It can grow until it feels almost telepathic. It can also be broken by school, screens, and isolation. We are not socialized into empathy. We are born into empathy and socialized out of it. Lens point human-heart The heart is born into empathy when emotional connection precedes instruction, and it is socialized out of empathy when school, screens, isolation, or broken relation sever the connection that gives direction, purpose, and meaning. Source trail 1:00:41 Severely, breaking that emotional connection. And once the emotional connection is broken, remember, empathy, we crave empathy. We crave emotions more than we crave food. So, it's as though we're becoming zombies almost...
Questions
Are people with cognitive disabilities today closer to the divine, or returning to the divine by abandoning civilization's logic?
Jiang answers that everyone is connected to the divine but mass society makes people forget it. Source trail 55:1555:5056:49 So, would you say that because you made the examples using, let's, you said, Alzheimer's, autistic people. So, would you say that people with cognitive disability in, like, modern age are, like, closer to the divine? We...Yeah. Good question. Okay. Yeah. So, first of all, we're all connected to the divine, but we just choose to forget we're connected to the divine. Okay? Why? Because society, mass society, needs you to be obedient, needs... School and social systems train obedience and machine-like functioning. People who are rejected as autistic, disabled, or different may, in his framing, be less removable from the divine because the system does not fully want them.
If cognitive disability develops after schooling and civilization have limited someone, can that become a reconnection with the divine?
Jiang clarifies by shifting to modern mental illness: children are born with a connection to the divine, purpose, meaning, and human connection, but phones, social media, and modern childhood can break that connection. Source trail 57:0057:2558:38 Yeah. So, it's like, for example, a lot of people develop cognitive disabilities after a lot of, like you said, being put into schools, being kind of, um, limited by the civilization. Would you say that in that circumst...Okay, yeah, okay. So, let's clarify, okay? So, in China, in the United States, everywhere in the world, we're seeing a massive surge in mental illnesses. Right? So, depression, eating disorders, um, suicidal tendencies,... The result, in his cultural diagnosis, is confusion, anxiety, depression, and a trapped imagination.
Where does strong empathy come from if empathy is usually thought to be shaped by socialization and social norms?
Jiang says empathy is not primarily socialized into us. Source trail 59:3059:471:00:41 Uh, like the strong empathy that you just mentioned, I thought that I'm curious where the strong empathy comes from because I usually thought that the empathy is, our empathy is shaped by the socialization and social no...Yeah, actually, that's a really good question, okay? So, empathy just means our connections with others, okay? And it's something we're born with. So, a mother is born with an emotional connection with a child, right? A... It is a natural emotional connection we are born with, like the bond between mother and child. Social institutions and screens can break that connection, so his formula is the reverse: we are born into empathy and socialized out of it.