model
Dutch art projects internal religious anxiety onto paintings so the viewer can contemplate and relieve that anxiety visually.
Topic brief
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Projection
Dutch art projects internal religious anxiety onto paintings so the viewer can contemplate and relieve that anxiety visually.
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Key Notes
diagnosis
Jiang says David feared Abner because Abner betrayed Saul and because David himself had betrayed Saul; David recognized in Abner the same ambition that brought him to power.
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Timestamped Evidence
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"They do that through depictions of the, of life in the household, okay? And what will happen is this. At first, the Dutch Republic,..."
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"So the Dutch see life as a constant struggle between your urges and your faith, between your emotions and reason, okay? And this picture,..."
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"had to kill Abner because he was ordered to by David right now why would David want Abner to be killed because in his..."
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Relevant Lectures And Readings
Reading
The Dutch Golden Age begins with a poisoned Spanish windfall and ends with Vermeer exposing cracks in the respectable household.
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Reading
The Bible begins, in this lecture's argument, as political spin for David: a library of collective imagination that turns usurpation, murder, and fear of rivals into legitimacy, identity, and eventually literature.
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