monad

The unity or God-like source toward which love draws separated consciousness back.

Used as a name for the universe or divine whole to which the Iliad is connected and into which the reader's mind can open. Used by Jiang as a name for the divine source or unity to which poets are connected even when they do not consciously know it.

The One, the center of the universe or God, whose breathing/emanation creates vibrational fields.

Jiang’s name for God as the universe, everything, and the divine whole beyond Jesus as messenger.

Love is modeled as the force that burns in the soul and compels separated consciousness back toward unity, the monad, and interconnection.

Jiang defines civilization, in this passage, as the process by which interpretation of the Iliad creates new universes that reconnect to the monad.

One poem, the Iliad, could give birth to an entire civilization because it was alive, powerful, and connected to the universe or monad.

Jiang says poets often do not know they are prophets or connected to the monad/divine; prophecy happens through them before they consciously understand it.

The noumenal is described metaphorically as consciousness, energy, vibration, information, Monad, God, and vibrational fields that generate dyads and the basic structure of the universe.

The Quranic Allah passages establish the monad: God is the universe, everything, and divine, while Jesus, Moses, and Muhammad are messengers.

The banquet parable says business people miss the divine feast because they are too absorbed in money, property, rent, and worldly success.

Hatred of another person separates the hater from the Monad and becomes self-hatred.