He argues that Hamlet turns vengeance into justice because he investigates Claudius's guilt and stages an open trial before killing him.
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Vengeance
A transcript-matched topic anchored by excerpts such as "...if you actually understand the plot of hamlet it was not vengeance it was not murder it was justice the reason why is that..."
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Key Notes
The reading shows Dante still emotionally snagged by kinship and vengeance when he notices the unavenged spirit of Geri del Bello among the mutilated shades.
Jiang explains that many cultures of the period killed sons alongside fathers because otherwise the sons became morally obligated to avenge the family line.
He concedes that Dante's exile and hatred of the Pope may be bleeding into the scene as vengeance, yet he still asks the class to extend grace and assume the poet is trying to speak for God.
Jiang glosses the line about concealed vengeance as a direct complaint to God for seeming not to act against ecclesial corruption.
Jiang says Dante's fellow exiles are consumed by vengeance against the Black Guelphs and that the grandfather's warning is to abandon factional politics, bloodlust, and even familiar company in order to seek the true path.
The student proposes a container model of the soul: if the cup is filled with hatred and vengeance, there is no room left for God, so Dante must empty vengeance to make room for God.
Jiang says exile and dependency actually intensify Dante's anger, so he can only be cleansed by going through Inferno and learning from experience that hatred and vengeance lead in one direction: hell.
Timestamped Evidence
"...if you actually understand the plot of hamlet it was not vengeance it was not murder it was justice the reason why is that..."
"...the process but he he wanted to turn the act of vengeance into an act of justice okay and again i don't want to..."
"so many souls and such outlandish one outlandish wounds had made my eyes inebriate they long to stay and weep but virgil said to..."
"which down below costs so much at this my master said don't let your thoughts about him interrupt you from here on attend to..."
"along with the fathers yes presumably they would grow up and try and exact"
"vengeance exactly right this is true for most cultures at this time you if you kill the father you have to kill the sons..."
"So I know you won't accept this. I understand. I have no idea because you said that Dante is perfect. But personally, I think..."
"...in exile. Clearly he hates the Pope, right? This is his vengeance. But at the same time, he's a poet. At the same time,..."
"six and seven um you the vengeance of god oh why do you still lie consumed what does that like on like consuming why..."
"It wasn't God take action, right? You, the vengeance of God, right? You, God, you're being offended by all this corruption, so why do..."
"...when they're a faction, they're angry about this, and they want vengeance. So they're plotting how to get back and kill their enemies, the..."
"I think something else that he gives up is vengeance. Like, I know that the urge to avenge yourself is extremely strong, and it..."
Relevant Lectures And Readings
A source-grounded reading of a five-hour hybrid workshop that begins with Macbeth and ends by turning Purgatory, free will, tragedy, envy, and generosity into one model of human transformation.
A source-grounded reading of Jiang's central claim: late Inferno is where private vice hardens into social design.
Jiang turns late Inferno and early Purgatorio into a struggle over imagination itself.
The late cantos become Jiang's sharpest Dante claim so far: faith is not obedience but imagination that helps make truth real, hope is the arrogant wager that exile and persecution can still bear fruit,...
The seminar begins with line-by-line questions and expands into a larger claim: Dante matters because poetry trains imagination, vows turn hope into action, and faith, hope, and love stop meaning obedience and start meaning...
Paradise first appears as receptivity rather than rank, then the lecture widens into vows, memory, resurrection, original sin, and Jiang's culminating wager that God created humanity because perfection alone cannot imagine.
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