model
The conflict between Apollo and the Furies is framed as a conflict between young gods and old gods, human justice and the laws of the universe.
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A Jiang Lens evidence brief for this topic, built from source tags, transcript matches, and linked source refs.
OLD Gods
A transcript-matched topic anchored by excerpts such as "...So, these are maybe new gods. But then you have the old gods. All right? And so, the higher you go, there are different..."
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Transcript
"...thing to do. And the Furies say to him, we are old gods."
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"...a young god. You are a new god. We are the old gods. We are much older than you are. We are much wiser..."
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"...So, these are maybe new gods. But then you have the old gods. All right? And so, the higher you go, there are different..."
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"...humans. The sons of God, who are they? They are the old gods. Zeus. Ares. Apollo. Okay? So this is the beginning of monotheism,..."
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"...to Christianity, two things happen. The first thing happened was the old gods, Jupiter and the others, became furious at the Romans and were..."
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"...that in the Aristeia, the play ends with the Furies, the old gods, giving way to the new gods who bring justice into the..."
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Relevant Lectures And Readings
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The Iliad begins as a war of wills and ends as a metaphysics of love: memory is emotion, poetry is consciousness in motion, forgiveness defeats revenge, and forced perspective-switching becomes the big bang of...
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The lecture asks where secret societies come from and answers by rebuilding Western religion as a sequence of world models: womb, war, empire, false God, inner light, and poetry as an encoded map back...
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A source-grounded reading of Augustine as empire's theologian: the Church escapes history, curiosity becomes sin, love becomes disease, passivity becomes goodness, and Arabia appears as the next place where fugitives from authority will prepare...
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