Jiang uses Dante, Virgil, and Shakespeare to expose a limit in that neuroscience model: literary characters can appear as fully distinct consciousnesses rather than simple projections of the author's own experience.
Topic brief
A Jiang Lens evidence brief for this topic, built from source tags, transcript matches, and linked source refs.
Literary characters
A transcript-matched topic anchored by excerpts such as "If everything is stored in your brain and you can only know what you experience, then how... How does Dante... Conte, no Virgil. Does..."
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Topic Scope And Freshness
A transcript-matched topic anchored by excerpts such as "If everything is stored in your brain and you can only know what you experience, then how... How does Dante... Conte, no Virgil. Does..."
Key Notes
Timestamped Evidence
"If everything is stored in your brain and you can only know what you experience, then how... How does Dante... Conte, no Virgil. Does..."
"I understand. Okay. But all you're telling me is like Virgil is a projection of Dante, right? Virgil exists within Dante's larger imagination. But..."
Relevant Lectures And Readings
A source-grounded reading of a long Dante seminar that starts with a student dreaming of a tree across water and ends by redefining Purgatory as democratic hope, free will, dangerous guidance, prayer for the...
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