He distinguishes Shakespeare from Dante by arguing that Shakespeare usually lets judgments arise from characters and dramatic form rather than from an authorial moral commentary outside the action.
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Dramatic form
A transcript-matched topic anchored by excerpts such as "um i also just from b from having visited wales in certain parts of scotland where the mists are um on a twilight time..."
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Topic Scope And Freshness
A transcript-matched topic anchored by excerpts such as "um i also just from b from having visited wales in certain parts of scotland where the mists are um on a twilight time..."
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Timestamped Evidence
"um i also just from b from having visited wales in certain parts of scotland where the mists are um on a twilight time..."
"...maybe that difference is also partly owing to the difference between dramatic form and the kind of epic poem that that dante's writing just..."
Relevant Lectures And Readings
A source-grounded reading of a five-hour hybrid workshop that begins with Macbeth and ends by turning Purgatory, free will, tragedy, envy, and generosity into one model of human transformation.
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