Jiang labels close attention to parts of the painting as world-building: the viewer moves from the whole toward each component in order to animate the depicted reality.
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A transcript-matched topic anchored by excerpts such as "...picture as a whole, but you also start focusing on the details."
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A transcript-matched topic anchored by excerpts such as "...picture as a whole, but you also start focusing on the details."
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Timestamped Evidence
"...picture as a whole, but you also start focusing on the details."
"Yes, okay, right, okay. So you're trying to focus on the details. Details focus. Yes. And why would you do that?"
"Because you already see the whole picture so you want to see what each part of the picture is like."
"Okay, right, so you're basically trying to world -build, okay? World -build. Okay, anyone else? Yes?"
Relevant Lectures And Readings
A source-grounded reading of a five-hour hybrid workshop that begins with Macbeth and ends by turning Purgatory, free will, tragedy, envy, and generosity into one model of human transformation.
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