Ancestor skulls, Ice Age cave paintings, and early temples become evidence of a broad human pattern: religious worship builds portals that connect the spirit world and this world.
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Cave Painting
Ancestor skulls, Ice Age cave paintings, and early temples become evidence of a broad human pattern: religious worship builds portals that connect the spirit world and this world.
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Key Notes
Jiang reads prehistoric monuments, animal-human pillars, figurines, flutes, and cave paintings as evidence that early religion was celebrated through art, music, and shamanic animal imagery.
Jiang interprets cave paintings as tribute and apology to animals whose bodies nourish humans and whose souls might otherwise seek vengeance.
He links animal-shaman transformation to prehistoric dolls, cave paintings, and the belief that shamans can become animals to communicate with animals.
Jiang links cave paintings to agriculture: cave paintings expressed religion; after the Ice Age, settled communities formed to celebrate religion, and that gave rise to agriculture.
Timestamped Evidence
"And so the answer is this. Let's think about for the past thousand years. The most impressive buildings in the world are usually churches...."
"...common idea at that time. All right? And then you have cave paintings. So remember way back, way early in the semester, we looked..."
"Okay? Including in China, including in Europe. This is Gopalatepe. And you can see that this is a teal pillar. And it's meant to..."
"...sense? It's like paintings. Okay? So, remember, they also have these cave paintings where they're celebrating the mother goddess. And they're celebrating the fact..."
"...or harpy eagle okay it's something that we discussed in the cave paintings why did they spend so much time painting these animals and..."
"not themselves what they celebrate are the animals because it's the animals that give them life that give them nourishment and meat okay does..."
"...to better communicate with the animals and this explains all the cave paintings and how forty thousand years ago they were creating dolls of..."
"...about? Do you see how all this connects together? Okay? The cave paintings is what started it. Cave paintings is the expression of a..."
"...of doing this by ourselves. And examples of course are the cave paintings that we discussed, as well as these religious settlements, Goplataple, Karahoyak...."
"...we're all stupid, it's hard to explain how we did the cave paintings, how we built Cabelo Tepe. How we did Catahouya. It assumes..."
"...run through of human history today. So last class we did cave paintings and what I will do from now on is I will..."
"...maintain harmony. All right, and this is no different from the cave paintings, okay? So you go way back to the dawn of humanity,..."
Relevant Lectures And Readings
A source-grounded reading of the Great Pyramid as Egypt's Manhattan Project: a divine battery, a state economy, and a wager that a sacred body could control the Nile, unify Egypt, and make peace eternal.
For most of human history, Jiang argues, humans were peaceful, egalitarian, and artistic because the forest, animals, ancestors, and spirit world were not scenery.
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