The bully-school model begins with an apparently beneficial coercive order: students pay a cafeteria tax because the bully keeps peace and order.
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Order
The bully-school model begins with an apparently beneficial coercive order: students pay a cafeteria tax because the bully keeps peace and order.
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Key Notes
Secret society ritual displaces agency onto a higher power such as Satan or Saturn, allowing members to believe that evil acts serve order or paradise.
Jiang explains the transition from an egalitarian agricultural society to urban patriarchy through mythology: Tiamat is coded as chaos and Marduk as order, so destroying the old is justified as creating peace and order.
Urban elite or patriarchal command is justified, in Jiang's reading, because coordinated authority can command people to build irrigation and walls that tame river chaos.
He uses school routines as an analogy for ritual: ordered actions only make sense because an underlying belief system gives them purpose.
Timestamped Evidence
"...it's actually beneficial. Because the bully is keeping the peace and order in the cafeteria. Right?"
"He's keeping everyone safe. So yeah, I pay a dollar, but it's not that much money. And we're all safe, so that we can..."
"And it turned out, that when he was in pain, people are much more willing to let go of their inhibitions. Because what you're..."
"...a god of time. Kronos is a god of time and order and structure, and Kronos would do things that were unconscionable, that were..."
"...is embedded in the mythology, right? Tiamat represents chaos. Marduk represents order. So even though we are letting go of the old, we're destroying..."
"Why? Because if you think about it, the serpent, the water serpent, looks like the river. And the river is the basis of all..."
"...exactly the same way where every minute of their lives, there's order and structure to what they do that has meaning and purpose."
Relevant Lectures And Readings
A source-grounded reading of Jiang’s law of escalation: the actor with the biggest weapon can still lose if the weaker actor has calibration, legitimacy, options, and a way to make the bully destroy himself.
Mesopotamia turns geography into mythology: where Egypt imagines divine generosity and pyramidal immortality, the land between two uncooperative rivers learns struggle, creative destruction, and the more fragile immortality of being remembered by the people...
For most of human history, Jiang argues, humans were peaceful, egalitarian, and artistic because the forest, animals, ancestors, and spirit world were not scenery.
Related Topics
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