definition
Jiang contrasts medieval art with Renaissance art by saying the latter makes space, time, depth, and perspective newly central.
Topic brief
A Jiang Lens evidence brief for this topic, built from source tags, transcript matches, and linked source refs.
Medieval art
A transcript-matched topic anchored by excerpts such as "...difference it's actually pretty blatant but but we'll do it okay medieval art we'll we'll look at some images okay okay so this is..."
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Topic Scope And Freshness
A transcript-matched topic anchored by excerpts such as "...difference it's actually pretty blatant but but we'll do it okay medieval art we'll we'll look at some images okay okay so this is..."
Key Notes
model
Medieval Christian art is presented as idea-centered and submissive: its stained glass overwhelms the viewer with divine awesomeness rather than inviting imaginative participation.
Timestamped Evidence
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"...difference it's actually pretty blatant but but we'll do it okay medieval art we'll we'll look at some images okay okay so this is..."
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"It becomes more of an idea. So this is from the Carolingian Renaissance, so basically the beginning of the Holy Roman Empire. And as..."
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"So the main artwork during the medieval Christian period are stained glass windows. So you go inside a church and you see pictures on..."
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"You're here to submit. Alright? So as you can see, this is a church. You can see how the light comes in. And it..."
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"...a lot more mathematics in renaissance art than there is in medieval art in fact there's really no mathematics in medieval art but but..."
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Relevant Lectures And Readings
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Jiang turns late Inferno and early Purgatorio into a struggle over imagination itself.
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The Renaissance is not only money, trade, city-states, books, and paintings.
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Related Topics
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