Dante's name for The Divine Comedy, framed by Jiang as accessible, democratic epic poetry.
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La Commedia
A transcript-matched topic anchored by excerpts such as "...history. When Dante wrote it in about 1300, he called it La Commedia. And the reason why is that at this time in history,..."
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A transcript-matched topic anchored by excerpts such as "...history. When Dante wrote it in about 1300, he called it La Commedia. And the reason why is that at this time in history,..."
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"...history. When Dante wrote it in about 1300, he called it La Commedia. And the reason why is that at this time in history,..."
"...embroiled into a lot of these conflicts. Okay? So he wrote La Commedia in order to have people access God. Okay? For the comedy,..."
"...And that made them distinct from the people of their time. La Commedia is a response then to the Iliad by Virgil. At this..."
"...what we call structure. The second is paradox. Alright? So imagine La Commedia as not just epic poetry, but as a very complex mathematical..."
"...very mathematical. It's rigorous. It's mathematical. There's a symmetry to the La Commedia. It doesn't really exist anywhere else in poetry. But what makes..."
"...for Beatrice. And this becomes the basis of the Divine Comedy, La Commedia. So these are the two major biographical details. You need to..."
"...for Dante to truly defeat Virgil, which is the point of La Commedia, he wants to destroy the influence and power of the Aeneid,..."
Relevant Lectures And Readings
A source-grounded reading of Dante as a dangerous poem: poetry enters memory like a virus, Virgil appears as guide and trap, and hell becomes the world people choose when obedience replaces love.
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