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A source-grounded reading of Jiang's central claim: late Inferno is where private vice hardens into social design.
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A source-grounded reading of Jiang's central claim: late Inferno is where private vice hardens into social design.
Jay's claim that people are discovering official historical stories have shaped them so deeply that they now question both history books and counter-narratives.
"that stuff is absurd and anyone who makes that case is just as a bozo but it's interesting history nonetheless and so now we're..."
"...create poetry, to create society. But there are people who can hijack people's imaginations to create evil in this world."
"...you're hijacking people's imagination that people tell the truth. The imposter hijacks people's imagination that only we can write our own wills. Right? So..."
"...Right. So you are... With your social media influence, you could hijack the imagination of millions of people. So, yeah. I think that's what..."
"...So yesterday I thought more about the Dante putting people who hijack our imagination lower than people who murder someone. one and or commit..."
"...God might bestow upon us, and all of the ways we hijack ourselves to get rid of that freedom, to run from that freedom,..."
"...called Operation Northwoods, and the plan is for the government to hijack civilian aircraft. Planes. And then blame it on Cuba so that the..."
"...New World back to Spain, which means that you can just hijack these ships and steal all their gold and silver for yourself."
A source-grounded reading of Jiang's central claim: late Inferno is where private vice hardens into social design.
Jiang turns late Inferno and early Purgatorio into a struggle over imagination itself.
Jay Shapiro does not let Jiang hide inside the viral avatar.
A source-grounded reading of Jiang's conspiracy lecture: Apollo, JFK, 9/11, Freemasonry, bureaucracy, and the number 33 become one model of spectacle, disclosure, guilt, and perception control.
The Dutch Golden Age begins with a poisoned Spanish windfall and ends with Vermeer exposing cracks in the respectable household.
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