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Jiang reworks the battery theory by replacing clean energy with divine energy: worship in the grand gallery draws star energy through the Pharaoh and reflects it across Egypt.
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Jiang reworks the battery theory by replacing clean energy with divine energy: worship in the grand gallery draws star energy through the Pharaoh and reflects it across Egypt.
The grand gallery is interpreted as a ritual nexus: the dead Pharaoh is alive for faith, the mortal worshipper communicates with God, and the same dark passage reads as womb and tomb, heaven and earth, myth and reality.
"...The mummy is inside, okay? Okay, and then you have the grand gallery. And inside the grand gallery what are people doing? They are..."
"...a nexus of life and death. This grand channel, sorry, this grand gallery, if you actually have such a visit, it in Egypt, okay,..."
"...That's where the King's mummy rests in the sarcophagus. There's a grand gallery that gives you access to the King's Chamber and then a..."
A source-grounded reading of the Great Pyramid as Egypt's Manhattan Project: a divine battery, a state economy, and a wager that a sacred body could control the Nile, unify Egypt, and make peace eternal.
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