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Jiang frames the Great Pyramid as both a material achievement and a religious object: a surviving ancient wonder, aligned to true north, with the King's Chamber, grand gallery, and Ben-Ben or pyramidion tied to Egyptian creation mythology.
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Jiang frames the Great Pyramid as both a material achievement and a religious object: a surviving ancient wonder, aligned to true north, with the King's Chamber, grand gallery, and Ben-Ben or pyramidion tied to Egyptian creation mythology.
"...on the top of the pyramid is what is called the Ben -Ben or the, uh, the Pyrrhonion, okay, the Pyrrhonion, okay?"
"And it is extremely significant culturally and religiously in Egypt because in Egyptian mythology, the religion, the creator god, Atum, he's known as Atum,..."
A source-grounded reading of the Great Pyramid as Egypt's Manhattan Project: a divine battery, a state economy, and a wager that a sacred body could control the Nile, unify Egypt, and make peace eternal.
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